Young visual artist Samina Zaman delves into the possibilities of women through the lens of oriental tradition and modern sensibility in her debut solo art exhibition, which concludes today.
The week-long exhibition, titled ‘Poetry of Time’, features 31 artworks and was inaugurated at the Shilpacharya Zainul Gallery-1 of Dhaka University on October 9.
Zaman’s collection includes two striking paintings created on palm leaves, alongside the rest, which are watercolour-on-paper pieces.
A key highlight of the exhibition is her major series titled ‘Anticipation’, comprising eight watercolour paintings that explore the possibilities of women in defiance of tradition, ignorance, neglect, and the oppressive forces of patriarchy.
In these works, wings emerge as a recurring symbol of courage and empowerment.
The series also uses the image of a rickshaw, not only to evoke tradition and locality but also to symbolise the pace of progress.
Zaman’s canvas doesn’t depict specific places but rather values such as justice, equality, home, and nature—concepts that transcend location and geography.
Further enriching the exhibition, Zaman blends calligraphy with terracotta patterns and Mughal architectural elements, showcasing her ability to merge diverse cultural influences.
In one standout painting titled ‘Parthona’, she handwrites Rabindranath Tagore’s poem ‘Antar Mama Bikashita Karo’, while integrating Mughal architectural motifs and oriental designs.
The exhibition also explores the daily lives and emotions of women—ranging from sorrow and sadness to happiness.
A particularly poignant piece, ‘Reflection of Women’s Life-3’, depicts two women seated in sadness, their expressions deep with emotion.
Another notable artwork, ‘Migration’, portrays individuals from different cultural backgrounds, along with migrating animals, reflecting themes of movement and change.
‘For me, art is not just a play of colours and forms; it is a dialogue that unites the past, present, and imagination. Each of my works is a journey—where humans, animals, deities, symbols, and stories coexist, weaving together the multifaceted experiences of life,’ said Zaman, describing her approach to art.
She adds that her paintings often draw on ancient memories, mythological tales, and folklore symbols.
Samina Zaman completed both her MFA and BFA from the oriental art department at Dhaka University. Over the years, she has participated in numerous group exhibitions, art camps, and workshops, establishing herself as a promising voice in the contemporary art scene.
