Unsanctioned ink: graffiti power and public memory
WHAT started as emancipatory self-expression was soon subjected to the dominant aesthetic regime. What started as 鈥榗hika mara,鈥� a signifier of direct state repression, was soon turned into a sanctioned practice. But graffiti remains graffiti by virtue of its unsanctioned nature 鈥� the defiance and the subversive potential it...